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Cluster of Excellence EXC 2052 - "Africa Multiple: reconfiguring African Studies"

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Beyond the Digital Return: New Heritage/s, Sustainability, and the Decolonisation of Music Archives in South Africa, Kenya, and Ghana

Project title

Beyond the Digital Return: New Heritage/s, Sustainability, and the Decolonisation of Music Archives in South Africa, Kenya, and Ghana

Project duration

4 years (2022-2025)

Project directors

  • Dr. Lee Watkins, ILAM, International Library of African Music, Rhodes University, South Africa
  • Prof. Tom M. Mboya, Department of Literature, Linguistics, Foreign Languages and Film Studies, Moi University, Kenya
  • Dr. habil. Markus Coester, Anthropology/Anthropology of Music, University of Bayreuth, Germany

Beyond the Digital Return researches the practice of repatriation/restitution and re/appropriation of submerged but now digitally accessible musical and cultural material. The significance of the relatedness of “digital return” to processes of heritage and identity production as well as the decolonisation of institutional music archives/repositories are investigated in three African countries: South Africa, Kenya, and Ghana, with affiliated research also in Nigeria.

The project’s concerns are about assessing the value of digital return to the development of sustainable cultures and in what digital return reveals about global demands for decolonising archives and museums. Key questions are: what happens after the “digitised musical object” has been returned to its community of origin? Is digital return the answer to developing sustainable music cultures or reviving an interest in them where it may be the case that they are on the brink of collapse or extinction?

The main objective of the project is to enhance our understanding of how repatriation in the field of music yields new forms of cultural creation associated with heritage and, more precisely, intangible cultural heritage.This objective is informed by identity re/construction/affirmation as a result of accessibility, current trends of decolonising archives and the opening up of music archives, collections, and digital repositories (where much digitization has been achieved). These processes have for decades been frustrated by notions of colonial and corporate authority and ownership. The project thus also aims to contribute to currently increasing debates on restitution and related rights issues such as ownership, copyright, and intellectual property rights.

Research team

  • Prof. Daniel Kodzo Avorgebdor, African Studies/Ethnomusicology, University of Ghana
  • Dr. Jane Mwonga, Ethnomusicology, School of Arts and Social Sciences, Moi University, Eldoret, Kenya
  • Dr. Albert Oikelome, Ethnomusicology, Head of Department of Creative Arts, UNILAG, Nigeria
  • Elijah Madiba, M.Mus, Ethnomusicology, ILAM, Rhodes University, South Africa 
  • Kofi Kudonu Labayili, M.A., Department of Music, University of Ghana
  • Nicole Pooley, M.Mus, doctoral researcher in the project, ILAM, Rhodes University, South Africa 
  • Fidelia Tseyi Ametewee, M.A., doctoral researcher in the project, African Studies, University of Ghana
  • Moses Adjei, M.A. doctoral researcher in the project, Ethnomusicology, University of Ghana
  • Doctoral researcher, N.N., Moi University, Kenya

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